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Next Generation Transient Shaping
The nvelope is a powerful audio processor capable of making subtle or drastic changes to a sound by providing control over its attack and sustain characteristics. This is extremely useful for reshaping all sorts of individual tones, and is a wonderful tool in any mixing situation as well. Big drums? You name it!
Especially when it comes to percussive material, the nvelope can be used for single tracks or the master bus with great benefit. You can form a signal and enhance its cut in the mix without deforming it too much as you would by using excessive EQ and compression.
Build Quality
The nvelope, just like all our products, is designed, engineered and handcrafted in Germany.
From the original inventor of the Transient Designer
The Transient Shaper- and Transient Designer- Technology was invented by our CEO, Ruben Tilgner, in 1998. The nvelope is the consequent and updated development of this technology! The next generation Transient Shaper.
Class-A Topology
Consequently represents the art of discrete signal processing.
Full Range Mode
Full Range mode is especially fast and easy to use, as all you need to do is dial in more or less attack and sustain by turning their specific controllers to the left (reduction) or to the right (increase).
EQ Mode
It can also operated like an Equalizer.
Three Devices in One
The nvelope operates independently of the specific level of a signal, and (unlike with compressors) you do not have to spend a lot of time trying to balance a set of complex controls to quickly get the results you seek. With its unique Dual Band mode, the nvelope gives you enhanced control over processing, and can handle complex program material as well.
Additionally, its dynamics sections can be bypassed, allowing it to function as a flexible high/low shelf Equalizer.
Full Range Mode
The nvelope is a powerful audio processor capable of making subtle or drastic changes to a sound by providing control over its attack and sustain characteristics. This is extremely useful for reshaping all sorts of individual tones, and is a wonderful tool in any mixing situation as well.
The nvelope operates independently of the specific level of a signal, and (unlike with compressors) you do not have to spend a lot of time trying to balance a set of complex controls to quickly get the results you seek.
Full Range mode is especially fast and easy to use, as all you need to do is dial in more or less attack and sustain by turning their specific controllers to the left (reduction) or to the right (increase).
Similar to a compressor and unlike in Dual Band mode, you can use the Freq A controller to reduce the influence of low frequencies on the attack processing (higher frequency = less bass influence).
Auto Gain
Boosting the attack in Full Range mode can sometimes result in some pretty huge level peaks. These can make your processed signal sound uneven, and in the worst case they will create the nasty kind of distortion you don’t want.
The nvelope solves this very conveniently with the Auto Gain function. This simple button makes the impulse shaper automatically compensate stronger level peaks, so this can be the solution for many level-related issues caused by the attack processing.
By the way, Auto Gain is typically not needed in Dual Band operation and therefore not offered in this mode. Also, Auto Gain does not have any influence on a channel operating in EQ mode.
